Tuesday 11 December 2012

Steps - Light Up The World

The second delight I got to review was Steps' Christmas album. Yep, I kid you not, Steps have decided to bring out a Christmas album in ANOTHER attempt for a comeback. I'll be honest, I was a massive Steps fan back in the day, and I am pretty gutted I didn't get to go to their comeback tour (yes, I am THAT sad. I was pretty jealous of my friends that went). Unfortunately though, I just didn't like this album. Sorry. It's 5,6,7,8 all the way for me.

Thought you’d rid yourself of cheesy 90s pop? Think again. Having already attempted one comeback, Steps are yet again trying to infiltrate the charts by entering the dreaded Christmas market. Yes, they are releasing their own Christmas album… sorry. As much as they are a guilty pleasure for me, being a fan of them however many years ago, I think a Christmas album may prove to just be a cheese overload.

This, their first studio album in twelve years, mixes their unapologetically cheesy pop sound with some Christmas classics, although I’m not sure how many are recognisable at first listen. The album opens with
History is Made at Night, complete with seasonal saxophone and standard Christmas beat. Perhaps an attempt to secure a more mature audience, they have chosen an album opener that compares a romantic night scene with a school-based scenario. I’ll quickly gloss over the error over ruining a Stevie Wonder song, and talk about the one original song on the album, Light up the World, conveniently also the title track. Not exactly encompassing the Christmas theme, this is where the cheese really hits, and messages of encouragement are showered upon us. “Imagination will set you free/just gotta work it out” is the height of this, encouraging us, I assume, to be creative and achieve our dreams. Only at Christmas I suppose.

If you recognise
When She Loved Me, it’s probably from Toy Story 2, as Sarah McLachlan performs it beautifully as Jessie (the cowgirl, if you can’t remember). Although Steps’ vocals aren’t tragic, they can’t match Sarah’s voice, and if you’re anything like me, you may fast forward the song pretty quickly so as not to ruin the film. From Christmas [Baby Please Come Home]¸ the idea of this being a Christmas album really starts, and it’s from here that you can really imagine this being on in the background on Christmas day. Ok, their vocals aren’t great, but they’re not the worst… and there’s always the option of minimal volume. The album ends on the classic Have Yourself a Merry Little Christmas, a relaxed, pleasant end with a lot of instrumental, to an album that you’re probably sick of by now.

I’m in two minds about this album. The child in me loves the cheese, which you can’t slate Steps for, as their bubblegum pop is still loved by many around the world. The vocals aren’t completely tragic (note: completely), but this album brings an amount of cheese and an element of boredom that doesn’t quite click. I’d love to love this, but for some reason, it just doesn’t work. Sorry Steps.


2/5


Sunday 9 December 2012

Little Mix - DNA

Long time, no blog. Hashtag third year problems. Anyway, I recently did some new reviews for Spark*, the first of which was Little Mix's new single, DNA. I loved this from my first listen, and I still love it now. They're the first successful girl group to come out of X Factor, and the first to actually get past the first few weeks of the show in the first place, and they're continuing to go from strength to strength. They've got great voices, and I think they've got a long, fantastic career ahead of them. 

Look at today’s charts and you’ll see an abundance of girl power, from the ever-present Rihanna to the return of Girls Aloud. Pretty convenient for X Factor winners Little Mix. Having broken the curse of the girl-bands on the show, Perrie, Jesy, Leigh-Anne and Jade have consistently hit big in the charts and gained many a-fan along the way.
 

DNA
shows a darker and more mature side to Little Mix, far removed from the polished pop sound we’ve come to expect from them. This more grown-up style makes a bleeding good tune, and moves them away from the X Factor manufacturing that has perhaps befallen previous winners. All four girls also get a chance to show why they were chosen in the first place, with solo sections highlighting their fantastic vocal abilities.

Little Mix are definitely bringing back girl power, and we’re more than grateful for it. I’m pretty confident we can expect more pop gems from these four for many years. Dare I say the new Girls Aloud?


4/5