It’s
not often that a band can wait 3 years between albums and still return to a
loyal fanbase. More often than not, fans become bored and
flee, with damaging results. The Duke
Spirit have been fortunate enough to surpass this problem, maintaining fans
during the wait for their second and now third albums. Bruiser
follows two years of hard touring their acclaimed second album Neptune, studio time in their new London
space and a slight line-up change, bringing with it an album that mixes the
expected and perhaps some of the unexpected too. Produced by Andrew Scheps, who has previously
produced the likes of Metallica and Johnny Cash, the album is exceedingly sharp
but with the right amount of rough to prove that they still are, are always
will be The Duke Spirit.
From the opening seconds of Cherry Tree,
it’s clear that The Duke Spirit mean business. Whilst the arrangement seems fairly simple on
the surface, there’s a complexity in places, like the short but sweet guitar
solos, that give the track the edge that shows why The Duke Spirit are still so
relevant. Liela Moss repeats “I don’t
look back” in an infectious manner that draws you so much that you almost miss
the album moving onto the next track. Although this shows the power the first song
has, this is also the downfall of Bruiser.
Whilst there is no doubt that most tracks on this album pull you in as they’re
playing, once they are finished, they become unforgettable as they begin to merge
into one another. Of course there are
highlights, from the heavier Surrender,
with its looping chorus hook “I just want to surrender” to the lighter Villain, complete with the unlikely
addition of a piano. This is seen again
on Northbound, where the album again
takes a dip in speed and we see the other side of the band, a definite upside
to the album, as we can experience the variety that The Duke Spirit can clearly
produce. Bruiser ends on Homecoming,
a track with a haunting yet beautiful melody, topped with Moss’ soothing voice
repeating “I will always think about the way I wanted you.” A perfect ending to an album full of highs and
lows.
Whilst this album has it’s fair share of highlights and genius moments, it’s
not the album we were expecting. There
seems to something lacking to push them to the next level. Still, it’s worth a listen, if only to see if
it was really worth the three year wait.
3/5
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