Not an exciting blog update I know, but I felt like sharing some music. For some reason, I'm having a bit of a Maccabees fest today, and I re-discovered this, so I thought I'd share it.
Sunday, 11 December 2011
Saturday, 3 December 2011
Procrastination.
THIS will be the last post tonight...promise? Just thought I'd add on here the 2011/2012 feature I've written for Spark*. Nothing particularly over-exciting, but just to put my opinion out there...
I found it extremely difficult to pick my favourite album,
since 2011 has been an amazing year for music. I could probably sit here and
continually list all my standout albums of the year, from Noah and the Whale to
Adele, Coldplay’s recent release to James Blake. However, after much
deliberation, I’ve decided to give my Album of 2011 to Bon Iver- Bon Iver. I was nervous to see how he could improve after
his stunning debut album, but his second self-titled album showed that he has
still got a lot more to give. It’s a beautiful album that I can’t stop
listening to at the moment. I highly recommend it to everyone.
Sounds of 2012
Lana Del Rey
Lana Del Rey has already made a huge impression on 2011 with
her captivating debut single Video Games.
Appearing on Later…with Jools Holland, as
well as having the single covered by both Bombay Bicycle Club and Kasabian, she
has clearly gained herself much popularity in just a few short months. Not only
has she received recurring radio play, both her debut single and Blue Jeans have appeared on the likes of
Made in Chelsea and The Only Way is Essex. With her debut
album Born to Die set for a 2012
release, there’s no doubt that Lana Del Rey is set for a huge year ahead.
Fixers
Oxford five-piece Fixers first graced the airwaves in 2009
when they were played on BBC Oxford Introducing. Since then, they have started
their own vinyl/cassette label ‘Dolphin Love’ and headlined the BBC Introducing
stage at Reading and Leeds this year. Not bad for a band who are seemingly
doing a lot of things their own way. Third single Swimmhaus Johannesburg, aside from being a really bleeding good
song, has gained considerable favour with Radio 1, being played regularly and
gaining them the opportunity to play a session with Huw Stephens. Fixers are
set to be undoubtedly big in 2012.
Other tips: Givers, Emeli Sande, Josh Kumra
Albums of 2011
Bombarding with posts today, I know. Mainly I'm just trying to avoid doing any real work, but I also thought I should give this blog some TLC. This will be my last post today I think, unless I find more things to write about that are more interesting than analysing sentences (this is highly possible).
I was just writing a feature for Spark* about albums for 2011, and it struck me how much good music has been released this year. I know this is a bit boring, but this is my list of my favourite albums of 2011 (everyone else is doing it so why not?!).
Noah and the Whale- Last Night on Earth
Bon Iver- Bon Iver
Coldplay- Mylo Xyloto
Adele- 21
Miles Kane- Colour of the Trap
James Blake- James Blake
White Lies- Ritual
The Horrors- Skying
Charlie Simpson- Young Pilgrim
Jamie Woon- Mirrorwriting
I was just writing a feature for Spark* about albums for 2011, and it struck me how much good music has been released this year. I know this is a bit boring, but this is my list of my favourite albums of 2011 (everyone else is doing it so why not?!).
Noah and the Whale- Last Night on Earth
Bon Iver- Bon Iver
Coldplay- Mylo Xyloto
Adele- 21
Miles Kane- Colour of the Trap
James Blake- James Blake
White Lies- Ritual
The Horrors- Skying
Charlie Simpson- Young Pilgrim
Jamie Woon- Mirrorwriting
Girls- 'Lawrence'
Two-piece ‘Girls’ is consisted of former Holy Shit guitarist
Christopher Owens, and bassist Chet “JR” White. Written by Owens whilst in Holy Shit, Lawrence is a tribute and a gift to Felt,
Denim and Go Kart Mozart frontman, Lawrence.
Whilst the track is purely instrumental, aside from the occasional haunting “oo” and “ah,” there’s a beauty to it that makes it unique and memorable. You can feel all his gratitude and love for Lawrence pouring out in his music, making the track seem all the more personal. When the track changes pace and melody, a distinct air of happiness seems to appear, as it becomes more upbeat and cheerful.
Lawrence is proof that you don’t need a mountain of good lyrics to make a track sound heartfelt and beautiful. All credit to Girls for proving this. Grab it on heart-shaped red vinyl while you can.
4/5
Whilst the track is purely instrumental, aside from the occasional haunting “oo” and “ah,” there’s a beauty to it that makes it unique and memorable. You can feel all his gratitude and love for Lawrence pouring out in his music, making the track seem all the more personal. When the track changes pace and melody, a distinct air of happiness seems to appear, as it becomes more upbeat and cheerful.
Lawrence is proof that you don’t need a mountain of good lyrics to make a track sound heartfelt and beautiful. All credit to Girls for proving this. Grab it on heart-shaped red vinyl while you can.
4/5
The 54th Grammy Awards
Obviously I'm a bit late on this, sorry about that. Attack of the university work once again. Excitement all round...
Anyway, here are the nominees for all 78 categories in the 54th Grammy Awards, due to be held in February 2012. Adele, Bon Iver and Bruno Mars all have a high chance of grabbing a few awards for themselves, having numerous nominations each. Adele in particular in surely on the way to at least winning a couple, having 6 nominations to her name. So here's the list, try not to fall asleep whilst you read it...
http://www.grammy.com/nominees
Anyway, here are the nominees for all 78 categories in the 54th Grammy Awards, due to be held in February 2012. Adele, Bon Iver and Bruno Mars all have a high chance of grabbing a few awards for themselves, having numerous nominations each. Adele in particular in surely on the way to at least winning a couple, having 6 nominations to her name. So here's the list, try not to fall asleep whilst you read it...
http://www.grammy.com/nominees
Monday, 28 November 2011
Old HMV...again
Really sorry, it's been a horrific amount of time since I last blogged. I got bogged down in uni work/I have the memory of a fish sometimes. Anyway, thanks to Twitter, I've just come across some more pictures of HMV in earlier years (my original post is here: http://rachelannewriting.blogspot.com/2011/08/old-hmv.html) so I thought I'd share. Enjoy...
http://www.voicesofeastanglia.com/2011/11/more-from-hmv-oxford-street-store.html
http://www.voicesofeastanglia.com/2011/11/more-from-hmv-oxford-street-store.html
Saturday, 5 November 2011
Ed Sheeran- Give Me Love
I am addicted to this song at the moment. His album is just brilliant, and is getting me through my endless amount of University work.
Sunday, 23 October 2011
The Duke Spirit- Bruiser
It’s
not often that a band can wait 3 years between albums and still return to a
loyal fanbase. More often than not, fans become bored and
flee, with damaging results. The Duke
Spirit have been fortunate enough to surpass this problem, maintaining fans
during the wait for their second and now third albums. Bruiser
follows two years of hard touring their acclaimed second album Neptune, studio time in their new London
space and a slight line-up change, bringing with it an album that mixes the
expected and perhaps some of the unexpected too. Produced by Andrew Scheps, who has previously
produced the likes of Metallica and Johnny Cash, the album is exceedingly sharp
but with the right amount of rough to prove that they still are, are always
will be The Duke Spirit.
From the opening seconds of Cherry Tree, it’s clear that The Duke Spirit mean business. Whilst the arrangement seems fairly simple on the surface, there’s a complexity in places, like the short but sweet guitar solos, that give the track the edge that shows why The Duke Spirit are still so relevant. Liela Moss repeats “I don’t look back” in an infectious manner that draws you so much that you almost miss the album moving onto the next track. Although this shows the power the first song has, this is also the downfall of Bruiser.
Whilst there is no doubt that most tracks on this album pull you in as they’re playing, once they are finished, they become unforgettable as they begin to merge into one another. Of course there are highlights, from the heavier Surrender, with its looping chorus hook “I just want to surrender” to the lighter Villain, complete with the unlikely addition of a piano. This is seen again on Northbound, where the album again takes a dip in speed and we see the other side of the band, a definite upside to the album, as we can experience the variety that The Duke Spirit can clearly produce. Bruiser ends on Homecoming, a track with a haunting yet beautiful melody, topped with Moss’ soothing voice repeating “I will always think about the way I wanted you.” A perfect ending to an album full of highs and lows.
Whilst this album has it’s fair share of highlights and genius moments, it’s not the album we were expecting. There seems to something lacking to push them to the next level. Still, it’s worth a listen, if only to see if it was really worth the three year wait.
3/5
From the opening seconds of Cherry Tree, it’s clear that The Duke Spirit mean business. Whilst the arrangement seems fairly simple on the surface, there’s a complexity in places, like the short but sweet guitar solos, that give the track the edge that shows why The Duke Spirit are still so relevant. Liela Moss repeats “I don’t look back” in an infectious manner that draws you so much that you almost miss the album moving onto the next track. Although this shows the power the first song has, this is also the downfall of Bruiser.
Whilst there is no doubt that most tracks on this album pull you in as they’re playing, once they are finished, they become unforgettable as they begin to merge into one another. Of course there are highlights, from the heavier Surrender, with its looping chorus hook “I just want to surrender” to the lighter Villain, complete with the unlikely addition of a piano. This is seen again on Northbound, where the album again takes a dip in speed and we see the other side of the band, a definite upside to the album, as we can experience the variety that The Duke Spirit can clearly produce. Bruiser ends on Homecoming, a track with a haunting yet beautiful melody, topped with Moss’ soothing voice repeating “I will always think about the way I wanted you.” A perfect ending to an album full of highs and lows.
Whilst this album has it’s fair share of highlights and genius moments, it’s not the album we were expecting. There seems to something lacking to push them to the next level. Still, it’s worth a listen, if only to see if it was really worth the three year wait.
3/5
Benjamin Francis Leftwich- Atlas Hands
I've been AWFUL at updating this blog recently, sorry! Been getting back into the swing of university where time seems to disappear at an alarming rate. Gonna post two reviews to try and make up for a lack of posts...
At only 22 years old, singer-songwriter Benjamin Francis
Leftwich has already made a name for himself. In a music market that seems currently overrun
in this field, from Bon Iver to Ben Howard, it could be hard to stand out, but
not for this man. Favourited by DJ after
DJ, he has certainly made a name for himself.
Atlas Hands is the magnificent follow-up to Pictures, filled once more with haunting vocals and captivating lyrics. There’s a beauty in his voice that draws you in, and never once gets boring. The song is fuelled by optimism, as he talks about his “plan,” and the “lessons [he has] learnt.” The addition of a female vocalist only adds to and emphasises the softness in his voice, perhaps highlighting his suitability for future duets.
Benjamin Francis Leftwich has shown himself to be one of 2011’s best rising talents, setting himself up for an even better 2012.
Atlas Hands is the magnificent follow-up to Pictures, filled once more with haunting vocals and captivating lyrics. There’s a beauty in his voice that draws you in, and never once gets boring. The song is fuelled by optimism, as he talks about his “plan,” and the “lessons [he has] learnt.” The addition of a female vocalist only adds to and emphasises the softness in his voice, perhaps highlighting his suitability for future duets.
Benjamin Francis Leftwich has shown himself to be one of 2011’s best rising talents, setting himself up for an even better 2012.
4/5
Tuesday, 11 October 2011
Monday, 10 October 2011
Sak Noel- Loca People
Another review. Not the best thing I've done but 1) it was a bit rushed and 2) I just had to write about this song. I know it's getting pretty old but it still irritates me to death.
It’s not often you hear a song on the radio that makes you wonder whether you either dreaming or ridiculously drunk. Unfortunately, the summer blessed us with one of these, and it keeps getting bigger and bigger, reaching the heights of a number one chart position. Sak Noel’s Loca People is pretty much unavoidable at the moment.
It’s not often you hear a song on the radio that makes you wonder whether you either dreaming or ridiculously drunk. Unfortunately, the summer blessed us with one of these, and it keeps getting bigger and bigger, reaching the heights of a number one chart position. Sak Noel’s Loca People is pretty much unavoidable at the moment.
To sum it up, it’s your stereotypical European dance track
characterised by a girl discussing how surprise at how people in Spain like to
party “all day, all night.” Shocking I
know. There’s some Spanish lyrics thrown
in for fun, followed by the girl phoning her friend Johnny, the point in the track
where complete confusion comes in and you realise that the lyrics are
ultimately nonsense.
I’ll admit, it is annoyingly catchy. Put it on in a club, and it’s guaranteed that 99% of people will dance around like mad people to it. However, the track itself is not good, no matter how many times radio stations insist on playing it.
I’ll admit, it is annoyingly catchy. Put it on in a club, and it’s guaranteed that 99% of people will dance around like mad people to it. However, the track itself is not good, no matter how many times radio stations insist on playing it.
1/5
Thursday, 6 October 2011
Rizzle Kicks- When I Was a Youngster
Unless you were crawled up under a rock somewhere, there’s a very strong chance you will have heard Down with the Trumpets at least 50 times this summer (not that this is a bad thing). Its success was somewhat unexpected, as Rizzle Kicks’ popularity shot up pretty much overnight, mostly thanks to the BBC Introducing scheme. Next single When I Was a Youngster, proves that these boys are not one-trick ponies.
Heavily sampling The Clash ‘Revolution Rock,’ the track automatically has a nostalgic feel, fitting perfectly with the lyrics. We all had those ambitions when we were little, in their case, “wanted to be a fireman,” and you can’t help but reminisce to those days as you listen. There’s a clear mass of talent between the duo, from singing to rapping to songwriting, as well as a charm surrounding them that’s hard to resist.
Their album Stereo Typical is due for the release at the end of October. If their two releases are anything to go by, it’s going to be brilliant.
4/5
Heavily sampling The Clash ‘Revolution Rock,’ the track automatically has a nostalgic feel, fitting perfectly with the lyrics. We all had those ambitions when we were little, in their case, “wanted to be a fireman,” and you can’t help but reminisce to those days as you listen. There’s a clear mass of talent between the duo, from singing to rapping to songwriting, as well as a charm surrounding them that’s hard to resist.
Their album Stereo Typical is due for the release at the end of October. If their two releases are anything to go by, it’s going to be brilliant.
4/5
Coldplay- Paradise
I haven't had internet for about 2 weeks now... mainly because Sky are shite... so I'm using the University internet to quickly post a couple of reviews I wrote for the Uni newspaper. Firstly, Coldplay's new single.
Since the release of their first album, Parachutes, in 2000, Coldplay have gone from strength to strength, constantly progressing their sound, regardless of what critics say. Mylo Xyloto (try pronouncing that one) is due to be released on 24th October this year, and promises to once again show why Coldplay are one of the world’s greatest bands.
Paradise is the second single to be released from the album, showcasing the band’s ability and willingness to experiment with different sounds and instruments to create something unexpected in all the right ways. From the moment the track starts, the synths are apparent, building to a kind-of second introduction that hits like a truck, in a good way. The track leaps to a new level, an anthemic level, that we know Coldplay are more that capable of reaching. This is echoed in the chorus of “para-para-paradise” that gives an indescribable feeling. There’s a sense of hope and euphoria, as it becomes pretty hard to resist singing along. Of course there are guitars and the like involved, as Coldplay haven’t forgotten their roots.
Experimenting suits the band well, as they roll out yet another obvious hit. There’s no doubt the album will be just as brilliant.
4/5
Since the release of their first album, Parachutes, in 2000, Coldplay have gone from strength to strength, constantly progressing their sound, regardless of what critics say. Mylo Xyloto (try pronouncing that one) is due to be released on 24th October this year, and promises to once again show why Coldplay are one of the world’s greatest bands.
Paradise is the second single to be released from the album, showcasing the band’s ability and willingness to experiment with different sounds and instruments to create something unexpected in all the right ways. From the moment the track starts, the synths are apparent, building to a kind-of second introduction that hits like a truck, in a good way. The track leaps to a new level, an anthemic level, that we know Coldplay are more that capable of reaching. This is echoed in the chorus of “para-para-paradise” that gives an indescribable feeling. There’s a sense of hope and euphoria, as it becomes pretty hard to resist singing along. Of course there are guitars and the like involved, as Coldplay haven’t forgotten their roots.
Experimenting suits the band well, as they roll out yet another obvious hit. There’s no doubt the album will be just as brilliant.
4/5
Thursday, 22 September 2011
Wednesday, 21 September 2011
Monday, 19 September 2011
Saturday, 17 September 2011
Songs on Saturday
Just some songs that I'm rather fond of.
Heard this on Zane Lowe's show and instantly fell in love...
And finally, especially for Nina...
Heard this on Zane Lowe's show and instantly fell in love...
And finally, especially for Nina...
Friday, 16 September 2011
Wednesday, 14 September 2011
Coldplay- Paradise
Just listened to this for the first time, and I absolutely LOVED it. Not sure if atmospheric is the right word, but it's just got that certain feel about it... I can instantly imagine it be played in arenas and the like worldwide. With this and 'Every Teardrop is a Waterfall,' the album's shaping up to be fantastic.
Tuesday, 13 September 2011
Lana Del Ray
Fearne Cotton played this MONTHS ago on her show, and I've been trying to find out who it was ever since. Finally found it, so I'll share it. Beautiful song, kind of addictive.
Oh and in a little bit of music news, Florence and the Machine have announced the title of the new album- 'Ceremonials'.
Oh and in a little bit of music news, Florence and the Machine have announced the title of the new album- 'Ceremonials'.
Monday, 12 September 2011
Friday, 9 September 2011
Song of the Day
Rizzle Kicks- When I Was a Youngster
An upbeat, feel good follow-up to 'Down With the Trumpets.'
An upbeat, feel good follow-up to 'Down With the Trumpets.'
Thursday, 8 September 2011
Me vs The Internet
It's been me vs the internet for some time now, hence a lack of blogposts. Getting very frustrating, as I've been wanting to do Challenge #2, but I've not been able to. So I'm just doing a quick post now to catch up on a couple of things...
1] Mercury Music Prize. Congratulations to PJ Harvey for not only winning, but being the first person to win the award twice (the first was back in 2001). Have to admit, I was hoping for a win for James Blake or Adele, but I am more than happy PJ Harvey won. Might have to have a listen to her and see what I've been missing.
2] Florence + The Machine is back. I've always been a bit on the fence about her music, loving some and not enjoying other bits. BUT 'What the Water Gave Me' has definitely got me on the loving side. Hauntingly beautiful, and a joy to listen to, Florence is back with a bang. Hoping the album will live up to this first track.
3] Ed Sheeran was in the Live Lounge today. Haven't managed to have a full listen yet, but his performance of 'You Need Me, I Don't Need You,' is AMAZING. His talent is insane, and it's proved here. Should be around on the BBC Radio 1 pages somewhere.
4] Staying on the topic of Ed Sheeran, Zane Lowe had the first play of his new track 'Lego House' tonight. Listen here: http://www.bbc.co.uk/blogs/zanelowe/. Ed Sheeran can do no wrong it seems, as he delivers yet another beautiful track. There's nothing not to love here, giving reassurance that the album will not disappoint. Already can't stop listening to this.
5] On a final note, Popjustice once again help their 'Twenty Quid Music Prize.' This year it was won by The Saturdays for 'Higher.' Read about it here: http://www.popjustice.com/index.php?option=com_content&task=view&id=5674&Itemid=206
Hopefully I will win the internet battle again tomorrow.
Saturday, 3 September 2011
You Me At Six- Loverboy
Behind the times again, I know, but here is You Me At Six's new single. Posting it whilst I remember on another crazy Saturday night. Enjoy
If you like The Muppets...
I'm behind on this I know, but I saw this for the first time today and so thought I'd share. I'm a bit undecided as yet, but I do love the Muppets so I'm up for giving it a chance. What do you think?
Thursday, 1 September 2011
Thursday, 25 August 2011
FINALLY: Challenge Album #1
Is there a way to chuck a computer out of a window without breaking it? I want to show mine I hate it, but I still want it to love me... I've had sooo many issues with it over the past week or so, hence why it's taken me an absolute age to write this. But I'm gonna get on with it now, before my computer breaks for the millionth time. So, I'm starting with Adele-19. I've played 21 to death, but I never really got round to listening to 19 properly. I think at the time, I wasn't really too bothered with Adele, an opinion which has definitely now changed! I was completely blown away, and kinda mesmerized from the start, which rarely happens if I'm honest.
19 opens with 'Daydreamer,' a beautiful acoustic track which simply showcases the true beauty of Adele's voice. Sometimes it;s the simply tracks that are the best, and here is a true example of that. If that doesn't draw you into the rest of the album, I don't know what will. As the album moves into 'Best for Last,' we're hit with another minimalistic track, truly proving that that is all that Adele needs to show she deserves her place at the top of the charts. The track builds into a more accompanied chorus, giving it an uplifting feel. There's a strong theme of love in this album, as Adele sings from the heart, and (probably) from experience- "how dare you think you'd get away with trying to play me."
'Chasing Pavements' and 'Cold Shoulder,' bring a different feel to the album, but this in no way damages the album. In fact, the two singles give the album a certain dynamic which not only destroys the idea that Adele is a one-trick pony, but also gives a variety that is important in maintaining listener interest. The album is not short on acoustic and low-key tracks, and I'm personally glad that sometime else is being bought to the table here.
'Melt My Heart to Stone' is a both lyrically and melodically impressive track, hitting the hearts of many listeners, as Adele sums up a relationship that many have had. She sings of forgiving things we shouldn't forgive ("As you tear your way right through me, I forgive you once again"), with a line that particularly stuck in my head- "I'm the only one in love." The best songs are written from experience, and once again, Adele has used hers to create a standout track on the album.
'Right as Rain,' is an upbeat track, again changing the dynamic of the album and proving that Adele is about more than just acoustic, low-key numbers. Moving through a stunning cover of Bob Dylan's 'Make You Feel My Love,' and a more 'jazzy' (I can't think of the word I want to use, so I'll have to use that once...but please don't let that put you off!) offering in the way of 'My Same,' the album ends with 'Hometown Glory.' This is personally my favourite track, and has been for a long time. Beginning with a beautiful piano solo, with piano continuing throughout, it's the perfect song to end on. Starting as the album began, it simply displays the beauty of her voice, with no gimmicks, autotuning or any of that nonsense. I can't sum up how much I love it.
I can't believe I never listened to this album before, but I'm glad I've finally taken the time too. It's an outstanding album, showing off Adele's amazing vocal talents perfectly. She needs no add-ons or fantasy stuff, and I hope she continues like this (she definitely did in 21). SO worth a listen, you won't regret it.
(I hasten to add that this is definitely not the best review ever. I really wanted to express how much I loved the album, so I went for it.) Challenge #1- Completed.
19 opens with 'Daydreamer,' a beautiful acoustic track which simply showcases the true beauty of Adele's voice. Sometimes it;s the simply tracks that are the best, and here is a true example of that. If that doesn't draw you into the rest of the album, I don't know what will. As the album moves into 'Best for Last,' we're hit with another minimalistic track, truly proving that that is all that Adele needs to show she deserves her place at the top of the charts. The track builds into a more accompanied chorus, giving it an uplifting feel. There's a strong theme of love in this album, as Adele sings from the heart, and (probably) from experience- "how dare you think you'd get away with trying to play me."
'Chasing Pavements' and 'Cold Shoulder,' bring a different feel to the album, but this in no way damages the album. In fact, the two singles give the album a certain dynamic which not only destroys the idea that Adele is a one-trick pony, but also gives a variety that is important in maintaining listener interest. The album is not short on acoustic and low-key tracks, and I'm personally glad that sometime else is being bought to the table here.
'Melt My Heart to Stone' is a both lyrically and melodically impressive track, hitting the hearts of many listeners, as Adele sums up a relationship that many have had. She sings of forgiving things we shouldn't forgive ("As you tear your way right through me, I forgive you once again"), with a line that particularly stuck in my head- "I'm the only one in love." The best songs are written from experience, and once again, Adele has used hers to create a standout track on the album.
'Right as Rain,' is an upbeat track, again changing the dynamic of the album and proving that Adele is about more than just acoustic, low-key numbers. Moving through a stunning cover of Bob Dylan's 'Make You Feel My Love,' and a more 'jazzy' (I can't think of the word I want to use, so I'll have to use that once...but please don't let that put you off!) offering in the way of 'My Same,' the album ends with 'Hometown Glory.' This is personally my favourite track, and has been for a long time. Beginning with a beautiful piano solo, with piano continuing throughout, it's the perfect song to end on. Starting as the album began, it simply displays the beauty of her voice, with no gimmicks, autotuning or any of that nonsense. I can't sum up how much I love it.
I can't believe I never listened to this album before, but I'm glad I've finally taken the time too. It's an outstanding album, showing off Adele's amazing vocal talents perfectly. She needs no add-ons or fantasy stuff, and I hope she continues like this (she definitely did in 21). SO worth a listen, you won't regret it.
(I hasten to add that this is definitely not the best review ever. I really wanted to express how much I loved the album, so I went for it.) Challenge #1- Completed.
Wednesday, 24 August 2011
Old HMV
Came across this blog via Twitter, and I was particularly interested in these photos. They are of HMV Oxford Street in the Sixties. They are really good quality which is lovely to see, and I'm so glad someone's posted them. Didn't know it's been there for so long! View them here:
http://voicesofeastanglia.blogspot.com/2011/06/inside-oxford-street-hmv-istore-in.html
(I strongly suggest following the blog as well)
http://voicesofeastanglia.blogspot.com/2011/06/inside-oxford-street-hmv-istore-in.html
(I strongly suggest following the blog as well)
General Fiasco are back
..with a bang!
Huw Stephens was in for Zane Lowe on Monday, and chose their new song 'The Age That You Start Losing Friends' as his 'Hottest Record in the World.' Here's what he wrote on the blog:
"Hey it's Huw here in for Zane. Tonight's Hottest is from a special band, back from a short break and ready to do what they do best; take to the stage and get everyone all sweaty with their sweet sweet music. I love this song, it has a proper energy to it, a message and some beautiful guitar sounds. They'll be on the BBC Introducing stage at Reading and Leeds this weekend in the returner slot. See you there!"
I completely agree with this. They've come back with possibly one of their best songs. A song full of energy, and one which I think completely sums up what they're all about. The video is here:
I for one cannot WAIT for their next EP.
Here's the link to the blog:
http://www.bbc.co.uk/blogs/zanelowe/2011/08/hottest_-_general_fiasco_-_the.html (there's also an interview with Owen, and a link to Ben Howard- Keep Your Head Up, which is also brilliant).
Whilst I'm on the subject of Radio 1, The Vaccines were in the Live Lounge yesterday, doing 'Norgaard' and a cover of Katy Perry's 'Last Friday Night (T.G.I.F).' Link here: http://www.bbc.co.uk/radio1/sessions/2011-08-23_thevaccines . Fantastic live band, really desperate to see them live.
Think that's enough for one post...
Huw Stephens was in for Zane Lowe on Monday, and chose their new song 'The Age That You Start Losing Friends' as his 'Hottest Record in the World.' Here's what he wrote on the blog:
"Hey it's Huw here in for Zane. Tonight's Hottest is from a special band, back from a short break and ready to do what they do best; take to the stage and get everyone all sweaty with their sweet sweet music. I love this song, it has a proper energy to it, a message and some beautiful guitar sounds. They'll be on the BBC Introducing stage at Reading and Leeds this weekend in the returner slot. See you there!"
I completely agree with this. They've come back with possibly one of their best songs. A song full of energy, and one which I think completely sums up what they're all about. The video is here:
I for one cannot WAIT for their next EP.
Here's the link to the blog:
http://www.bbc.co.uk/blogs/zanelowe/2011/08/hottest_-_general_fiasco_-_the.html (there's also an interview with Owen, and a link to Ben Howard- Keep Your Head Up, which is also brilliant).
Whilst I'm on the subject of Radio 1, The Vaccines were in the Live Lounge yesterday, doing 'Norgaard' and a cover of Katy Perry's 'Last Friday Night (T.G.I.F).' Link here: http://www.bbc.co.uk/radio1/sessions/2011-08-23_thevaccines . Fantastic live band, really desperate to see them live.
Think that's enough for one post...
One of many...
After some time away, and some frustrating struggles with my internet, I've FINALLY managed to get myself back on this blog. So, I'm gonna do a few posts today to try and catch up with everything. Hopefully I won't clog up feeds and such too much.
So firstly, I just want to give my sympathy to all those affected by the tragedy at Pukkelpop Festival. You've probably read just about everything about it now, so I won't go on too much. It's so sad that such an unavoidable event, a storm, affected the festival in that way. My sincere sympathies and love goes to those affected in anyway, and I hope everyone else got home safely.
So firstly, I just want to give my sympathy to all those affected by the tragedy at Pukkelpop Festival. You've probably read just about everything about it now, so I won't go on too much. It's so sad that such an unavoidable event, a storm, affected the festival in that way. My sincere sympathies and love goes to those affected in anyway, and I hope everyone else got home safely.
Tuesday, 16 August 2011
Guilty Pleasure #2
I've neglected this blog for a few days, so I thought I'd get back on before I flee again for a few days. I haven't forgotten about the challenge I proposed for myself. I was gonna start Monday with Adele-19, but I got offered a very sudden day job, and a meal in the evening, so I accidentally made myself really busy, and then today I already had things planned so... this is very dull but I thought I'd clarify.
ANYWAY. A while back, I wrote something about guilty pleasures, and there's a certain song that I can't get enough of at the moment that is another one. Yup, it's Dappy- No Regrets. I don't know whether it's the gospel choir, or the fact that it doesn't sound anything like I thought it would (a naff spin-off N-Dubz, as much as I actually quite like them), but it's really quite addictive and actually quite good. Less humour than Spaceship (YouTube it, really random but annoyingly catchy), and almost guaranteed to make people sit up and take notice and realise that he's not just 'that guy from N-Dubz,' I think Dappy has set himself up for a hit. But of course, it is Dappy, so it kinda has to be a guilty pleasure...if that makes sense.
Next time, I WILL have started my challenge. Promise.
ANYWAY. A while back, I wrote something about guilty pleasures, and there's a certain song that I can't get enough of at the moment that is another one. Yup, it's Dappy- No Regrets. I don't know whether it's the gospel choir, or the fact that it doesn't sound anything like I thought it would (a naff spin-off N-Dubz, as much as I actually quite like them), but it's really quite addictive and actually quite good. Less humour than Spaceship (YouTube it, really random but annoyingly catchy), and almost guaranteed to make people sit up and take notice and realise that he's not just 'that guy from N-Dubz,' I think Dappy has set himself up for a hit. But of course, it is Dappy, so it kinda has to be a guilty pleasure...if that makes sense.
Next time, I WILL have started my challenge. Promise.
Saturday, 13 August 2011
Saturday Night
It's 9.15PM and I'm drinking tea, sitting on the floor and wallowing in my own self-pity. But instead of moaning, this is just a quick note urging you all to check out You Me At Six's new one, 'Loverboy.' Verrry good.
Probably off to bed soon. WILD NIGHT.
Probably off to bed soon. WILD NIGHT.
Friday, 12 August 2011
Challenge
If you go into my room, you'll quickly find out that I buy A LOT of CDs. I spend as much money on CDs as I do on clothes, and that's saying something (mainly screaming 'THIS IS WHY YOU'RE IN YOUR OVERDRAFT', but I try to drown that voice out). As is the norm these days, the album quickly hits my iPod and the CD goes straight in the CD rack. For no specific reason, other than perhaps laziness, I never really make time to properly sit down and listen to my new purchases (always plural, always). Yes, in time, I do hear all the songs, but once I've listened once I tend to move on and rarely revisit. So I've decided to change this. I'm not sure it's really a challenge, 'cos it's gonna be quite fun, but I couldn't think of another way to describe it.
In the next few weeks, I will go through my music collection and take the time to listen to all those albums I've been too lazy/busy/whatever to listen to properly. I know I've got some real gems in there, so I refuse to let my money go to waste. I will report back with a review each time, which in itself is good 'cos I feel like I haven't written a review in aaaages.
'Til next time...
In the next few weeks, I will go through my music collection and take the time to listen to all those albums I've been too lazy/busy/whatever to listen to properly. I know I've got some real gems in there, so I refuse to let my money go to waste. I will report back with a review each time, which in itself is good 'cos I feel like I haven't written a review in aaaages.
'Til next time...
Thursday, 11 August 2011
Noah and the Whale
Noah and the Whale did a fantastic live lounge yesterday, including a brilliant cover of Robyn's 'Call Your Girlfriend' (obviously changed to Call Your Boyfriend). Listen here:
http://www.bbc.co.uk/radio1/sessions/2011-08-10_noahandthewhale
http://www.bbc.co.uk/radio1/sessions/2011-08-10_noahandthewhale
Wednesday, 10 August 2011
Riots
I'll do a proper blog post on this later, but just thought I'd post a link which lists all the labels affected by the fire at the PIAS Distribution Warehouse thanks to the rioting idiots.
http://www.the-fly.co.uk/words/news/top-news-stories/10474/pias-distribution-warehouse-set-alight
http://www.the-fly.co.uk/words/news/top-news-stories/10474/pias-distribution-warehouse-set-alight
Sunday, 7 August 2011
Laura Marling- Alas, I Cannot Swim
Just a quick post today. Yesterday, I finally got round to buying Laura Marling's first album, Alas, I Cannot Swim. As expected, it's a beautiful listen, full of charm and sung with a voice that is so pure and adored by many.
Strangely, one of the best things about the album came right at the end. Hidden at the end of 'Your Only Doll (Dora)' is title track 'Alas, I Cannot Swim.' To sum it up in one word, it's a gem. Although said to be connected to depression, and her possible battle with, the track itself has a feeling of joy. Simplistic and chilled, it brings the album to a perfect end, rounding off a collection of her finest work. If you've got the album, make sure you listen to the very end so you don't miss it.
Strangely, one of the best things about the album came right at the end. Hidden at the end of 'Your Only Doll (Dora)' is title track 'Alas, I Cannot Swim.' To sum it up in one word, it's a gem. Although said to be connected to depression, and her possible battle with, the track itself has a feeling of joy. Simplistic and chilled, it brings the album to a perfect end, rounding off a collection of her finest work. If you've got the album, make sure you listen to the very end so you don't miss it.
Friday, 5 August 2011
Arctic Monkeys
By the looks of things, I'm in the minority with this, but there we go.
I'll be honest, when I first heard Arctic Monkeys, I was really impressed, and thought their 'hype' was thoroughly deserved. 'Whatever People Say I Am, That's What I'm Not' is a brilliant record, jammed full of huge songs with some of the best lyrics around. 'Favourite Worst Nightmare' mirrored this success, showing their progress and confirming their place as one of the best bands around. However, in my opinion, Arctic Monkeys started to dip with third album 'Humbug.' Whilst their musical skills were still apparent, a certain energy seemed to have been lost, and the excitement of their new release faded. After seeing them live at Reading Festival, expecting big things, I was disappointed, and ended up leaving the set early.
And now we hit album four, 'Suck It and See.' I was initially interested, verging on excited, to see their next step, but after hearing 'Don't Sit Down 'cos I've Moved Your Chair,' I was extremely disappointed. To me, the track comes across as bland and lacking the magic that first propelled Arctic Monkeys to their success. The lyrics don't seem to match the genius of the first couple of albums, making the track seem all the more mediocre.
Latest track 'The Hellcat Spangled Shalalala' redeems the band slightly, as some of their lost energy is found. But I'm still not completely convinced. I hope I am proven wrong, as I believe there is something special in the band, but for now, I'll be switching off.
I'll be honest, when I first heard Arctic Monkeys, I was really impressed, and thought their 'hype' was thoroughly deserved. 'Whatever People Say I Am, That's What I'm Not' is a brilliant record, jammed full of huge songs with some of the best lyrics around. 'Favourite Worst Nightmare' mirrored this success, showing their progress and confirming their place as one of the best bands around. However, in my opinion, Arctic Monkeys started to dip with third album 'Humbug.' Whilst their musical skills were still apparent, a certain energy seemed to have been lost, and the excitement of their new release faded. After seeing them live at Reading Festival, expecting big things, I was disappointed, and ended up leaving the set early.
And now we hit album four, 'Suck It and See.' I was initially interested, verging on excited, to see their next step, but after hearing 'Don't Sit Down 'cos I've Moved Your Chair,' I was extremely disappointed. To me, the track comes across as bland and lacking the magic that first propelled Arctic Monkeys to their success. The lyrics don't seem to match the genius of the first couple of albums, making the track seem all the more mediocre.
Latest track 'The Hellcat Spangled Shalalala' redeems the band slightly, as some of their lost energy is found. But I'm still not completely convinced. I hope I am proven wrong, as I believe there is something special in the band, but for now, I'll be switching off.
Wednesday, 3 August 2011
Jar of Hearts
I was introduced to this song by a friend today, and it's really got my attention. The lyrics are what really makes the song for me, as Christina Perri really sings from the heart. I'll let the song speak for itself...
Tuesday, 2 August 2011
Another day, another bunch of songs
Too many too include YouTube links, so I'll just write a short list. At the moment I am loving...
Wretch 31 ft. Josh Kumra- Don't Go
Nero- Promises
Charlie Simpson- Parachutes. A great follow-up to 'Down Down Down,' a song that has been on repeat for me
Two Door Cinema Club- Undercover Martyn. A re-release of one of their best songs.
Bon Iver- Holocene. Another absolutely beautiful offering from Bon Iver. Can't get enough
GIVERS- Up Up Up
The 2 Bears- Bear Hug. Weird, but strangely addictive.
Noah and the Whale have also released my favourite song from their latest album- Life is Life
I'll post the YouTube links to my two favourites:
Calvin Harris has come back strong, providing some of the summer's biggest tunes, including this:
High energy from The Vaccines:
Wretch 31 ft. Josh Kumra- Don't Go
Nero- Promises
Charlie Simpson- Parachutes. A great follow-up to 'Down Down Down,' a song that has been on repeat for me
Two Door Cinema Club- Undercover Martyn. A re-release of one of their best songs.
Bon Iver- Holocene. Another absolutely beautiful offering from Bon Iver. Can't get enough
GIVERS- Up Up Up
The 2 Bears- Bear Hug. Weird, but strangely addictive.
Noah and the Whale have also released my favourite song from their latest album- Life is Life
I'll post the YouTube links to my two favourites:
Calvin Harris has come back strong, providing some of the summer's biggest tunes, including this:
High energy from The Vaccines:
Monday, 1 August 2011
You Need Me, I Don't Need You
New one from Ed Sheeran. He always delivers, and this is no exception.
Sunday, 31 July 2011
The ones I can't stop listening to...
Picked a couple of my favourite songs at the moment. Maverick Sabre and DJ Fresh put me in a particularly summery mood.
This video also makes me really want some rollerskates, even though I know I will never look as cool as these people.
This video also makes me really want some rollerskates, even though I know I will never look as cool as these people.
Tuesday, 26 July 2011
Monday, 25 July 2011
Some New Songs
Just some new songs I've come across that I think are really rather good.
First up, Laura Marling- 'Sophia.' With the soft yet powerful vocal we've come to know and love, Marling delivers another first-class track. Perfectly calming and beautiful as always, Laura continues to make music at the top of her game. Cannot wait for her new album 'A Creature I Don't Know' (due in September).
Listen here:
http://www.bbc.co.uk/blogs/zanelowe/
Also on that blog is the new Snow Patrol track, 'Called Out in the Dark.' I think Zane sums it up brilliantly on the blog, as Snow Patrol progress in a big way, but don't lose their ability to create a huge tune. Top marks.
Noel Gallagher's first solo offering is also on its way. 'The Death of You and Me' showcases what a great songwriter Noel is, as he offers a track that is as Oasis as it is unique. Complete with brass section, it is already receiving excellent feedback all round.
Last but not least, The Kooks. Three years after the release of last album 'Konk,' The Kooks are finally back with a bang. 'Is It Me' is exactly what we were looking for. Upbeat, full of energy and packed full of lyrics that reek of experience, it doesn't disappoint. Glad to have them back.
First up, Laura Marling- 'Sophia.' With the soft yet powerful vocal we've come to know and love, Marling delivers another first-class track. Perfectly calming and beautiful as always, Laura continues to make music at the top of her game. Cannot wait for her new album 'A Creature I Don't Know' (due in September).
Listen here:
http://www.bbc.co.uk/blogs/zanelowe/
Also on that blog is the new Snow Patrol track, 'Called Out in the Dark.' I think Zane sums it up brilliantly on the blog, as Snow Patrol progress in a big way, but don't lose their ability to create a huge tune. Top marks.
Noel Gallagher's first solo offering is also on its way. 'The Death of You and Me' showcases what a great songwriter Noel is, as he offers a track that is as Oasis as it is unique. Complete with brass section, it is already receiving excellent feedback all round.
Last but not least, The Kooks. Three years after the release of last album 'Konk,' The Kooks are finally back with a bang. 'Is It Me' is exactly what we were looking for. Upbeat, full of energy and packed full of lyrics that reek of experience, it doesn't disappoint. Glad to have them back.
Sunday, 24 July 2011
Tribute to Amy
In tribute to Amy's tragic death yesterday, I thought I'd share with you my 3 favourite songs of hers. RIP Amy
Saturday, 23 July 2011
Song of the Day #3?
On a completely different note, I've been really wanting to listen to these guys all day, so as soon as I got home, I did. I know how much I overuse this word, but this song really is catchy. I defy you not to dance.
RIP Amy Winehouse
Amy Winehouse has today passed away aged 27. The death is being treated as "unexplained." She has had a very long battle with drink and drugs, but her voice bought pleasure to many all over the world. I think the people of Twitter have collectively summed it all up, as have various news websites, so I don't think I can add anything more. My thoughts are with her friends and family, and I just hope she is remembered for her incredible talent, rather than her struggles. As many have already said, she has joined the 27 Club.
RIP Amy Winehouse, you will be sadly missed.
RIP Amy Winehouse, you will be sadly missed.
Thursday, 21 July 2011
Friendly Fires Live Lounge
Friendly Fires were in the Live Lounge today, sounding brilliant as always. Their 'mystery cover song' was genius too. You can listen and look at photos here:
http://www.bbc.co.uk/radio1/sessions/2011-07-21_friendlyfires
http://www.bbc.co.uk/radio1/sessions/2011-07-21_friendlyfires
Wednesday, 20 July 2011
Mercury Music Prize
I'm a bit late on this I know, but I had to write about this year's Mercury Music Prize nominees. They are:
Adele - 21
Anna Calvi - Anna Calvi
Elbow - Build A Rocket Boys!
Everything Everything - Man Alive
Ghostpoet - Peanut Butter Blues and Melancholy Jam
Gwilym Simcock - Good Days At Schloss Elmau
James Blake - James Blake
Katy B - On A Mission
King Creosote & Jon Hopkins - Diamond Mine
Metronomy - The English Riviera
PJ Harvey - Let England Shake
Tinie Tempah - Disc-Overy
Whilst there are some good picks in there- James Blake and Metronomy for example-, along with the usual bands that noone has heard of, and the obvious choice- Adele (amazing album, but maybe a too obvious choice for the winner?), it's not the impressive list that many were hoping for. I know this has now been written a gazillion times, the prize this year seems to have steered away from boosting new talent, which has always been the great thing about the prize. I thought I'd add my opinion on what I think has been overlooked:
Friendly Fires- Pala
Hurts- HappinessJamie Woon-Mirrorwriting
Noah and the Whale- Last Night on Earth
White Lies- Ritual
The Vaccines- What Did You Expect from The Vaccines?
I'd also say The Horrors- Skying, and Patrick Wolf- Lupercalia, but I'm not entirely sure they were eligible as I don't know the cut off dates for the nominees. Another name which seems to be on every blog, tweet and website is Wild Beasts. I've never really heard their music, but they seem to be the perfect nominees for the prize, and it is unusual for the Mercurys to overlook such a band.
Whether they will choose an obvious winner or not we don't know, but perhaps the outcry over some poor decisions this year will be a message to improve things next year. The winner is announced on 6th September.
Adele - 21
Anna Calvi - Anna Calvi
Elbow - Build A Rocket Boys!
Everything Everything - Man Alive
Ghostpoet - Peanut Butter Blues and Melancholy Jam
Gwilym Simcock - Good Days At Schloss Elmau
James Blake - James Blake
Katy B - On A Mission
King Creosote & Jon Hopkins - Diamond Mine
Metronomy - The English Riviera
PJ Harvey - Let England Shake
Tinie Tempah - Disc-Overy
Whilst there are some good picks in there- James Blake and Metronomy for example-, along with the usual bands that noone has heard of, and the obvious choice- Adele (amazing album, but maybe a too obvious choice for the winner?), it's not the impressive list that many were hoping for. I know this has now been written a gazillion times, the prize this year seems to have steered away from boosting new talent, which has always been the great thing about the prize. I thought I'd add my opinion on what I think has been overlooked:
Friendly Fires- Pala
Hurts- HappinessJamie Woon-Mirrorwriting
Noah and the Whale- Last Night on Earth
White Lies- Ritual
The Vaccines- What Did You Expect from The Vaccines?
I'd also say The Horrors- Skying, and Patrick Wolf- Lupercalia, but I'm not entirely sure they were eligible as I don't know the cut off dates for the nominees. Another name which seems to be on every blog, tweet and website is Wild Beasts. I've never really heard their music, but they seem to be the perfect nominees for the prize, and it is unusual for the Mercurys to overlook such a band.
Whether they will choose an obvious winner or not we don't know, but perhaps the outcry over some poor decisions this year will be a message to improve things next year. The winner is announced on 6th September.
Tuesday, 19 July 2011
Thursday, 14 July 2011
Guilty Pleasures
We've all got them, be it food, drink, music... you get the point. In the past couple of weeks, I fear I have discovered my guilty pleasure in music.
I originally thought my guilty pleasure would stem from the clubber in me, who has emerged since I've been at University. I now own a significant amount of 'that' kind of music, which as anyone who truly knows me will know, is not exactly my usual taste in music. However, I have learnt to embrace it and love it (with some exceptions of course...)
My guilty pleasure is also not all the 90s Pop I own, because let's be honest, I am PROUD to have loved S Club 7, Busted, Steps... I could go on.
No, the most worrying development in my musical tastes has come in the past couple of weeks. Since S Club 7 split up, pop music has ceased to be my forte, excluding Take That of course. Any mention of The Saturdays for example and I run a mile. I would normally say the same for The WANTED, but the release of 'Glad You Came,' has changed my mind. In all honesty, I have become a little bit obsessed with listening to it, which has since developed into an unhealthy obsession with their other videos, mainly 'Gold Forever.' I'm starting to annoy myself with how much I listen to their latest hit, so much so that I downloaded it, just so I could stop watching the video on YouTube. It has now become my iPod's guilty pleasure.
I'm sure I will get a lot of grief for my obsession with this song, but I will constantly use the excuse of it being my guilty pleasure. What's yours?
I originally thought my guilty pleasure would stem from the clubber in me, who has emerged since I've been at University. I now own a significant amount of 'that' kind of music, which as anyone who truly knows me will know, is not exactly my usual taste in music. However, I have learnt to embrace it and love it (with some exceptions of course...)
My guilty pleasure is also not all the 90s Pop I own, because let's be honest, I am PROUD to have loved S Club 7, Busted, Steps... I could go on.
No, the most worrying development in my musical tastes has come in the past couple of weeks. Since S Club 7 split up, pop music has ceased to be my forte, excluding Take That of course. Any mention of The Saturdays for example and I run a mile. I would normally say the same for The WANTED, but the release of 'Glad You Came,' has changed my mind. In all honesty, I have become a little bit obsessed with listening to it, which has since developed into an unhealthy obsession with their other videos, mainly 'Gold Forever.' I'm starting to annoy myself with how much I listen to their latest hit, so much so that I downloaded it, just so I could stop watching the video on YouTube. It has now become my iPod's guilty pleasure.
I'm sure I will get a lot of grief for my obsession with this song, but I will constantly use the excuse of it being my guilty pleasure. What's yours?
Tuesday, 5 July 2011
Glastonbury Review (sort of...)
Long time no blog! I was going to write after I came back from Glastonbury, but I spent the rest of the week packing up all my uni stuff as I have now officially finished my first year. Ridiculous how quick the time has gone! Now I'm busy packing up my actually house because I'm moving there too... so I've managed to grab a quick minute to finally write a few words about Glastonbury.
To sum up, it was AMAZING! It was my first time, and as much as I didn't particularly enjoy the rain and the mud, I got used to it and it really didn't bother me that much. Although it did pretty much double all journey times, which was a bit of an issue considering it takes at least 40-50 minutes to walk from one side of the site to the other WITHOUT mud. Netherless, I think the size of the festival is part of its beauty. The only other festival I've properly been to is Reading, and that seems so tiny and restricted in comparison.
There's so much freedom and so much variety on offer at Glasto that it's pretty impossible to get bored, something I found a problem at Reading. If there's no band on you want to see, you can take a visit to Greenfields and be healed, get a salsa lesson or go watch a show in the Theatre Field, to name but a few. I know it's been said a gazillion times, but some of the best things at Glastonbury are found by chance. On the Thursday, we were on our way to Shangri-La, and we stumbled across a World Record Attempt for the biggest Twister game at one time. We stumbled across the Salsa lesson by chance as well as a few comedy shows in the Cabaret tent. It really is better to just plan a few things you want to see, rather than plan every detail.
The stand-out act for me is a bit of an obvious choice- Beyonce. We managed to get a spot about 3/4 rows from the front, and there's not much else I can say about from...she was INCREDIBLE! I knew she would be good, but I wasn't sure how she would interact with the crowd, or how the crowd would respond. But it just seemed to work really well, and as much as people will say "she's not the type of act to headline Glasto" etc etc, I think she's exactly what the festival needed.
My other highlights included Coldplay, The Midnight Beast, who are ridiculously full of energy and very fun to watch, Laura Marling, who was wonderfully modest with a beautiful voice, perfect for a Sunday afternoon, and Mumford and Sons, who managed to keep the crowd in great spirits despite the weather pissing it down. I'm also glad I took the chance of seeing Pulp. Although I'm not a massive fan, they really entertained me, and I'd definitely recommend seeing them.
There are a few others that I really enjoyed, and some acts that I'm gutted to have missed, but with Glastonbury, it's impossible to see everything! There were also some people who I was disappointed by, such as Plan B. Yes he was really good, but it felt a bit flat, and I wasn't as excited about his performance as I expected to be. The same for Patrick Wolf, although unfortunately this was down to the fact that his microphone seemed dodgy and I couldn't really hear what he was singing. I think I would have enjoyed it more if it had all been working properly.
So that's my flash review of Glastonbury. I could write a lot more, but I don't want to bore anyone! Quick tip: never ever buy a 2-man pop-up tent for 2 people if you like personal space and keeping completely dry. Despite that, Glastonbury is a festival that I'd always recommend. See you in 2013!
To sum up, it was AMAZING! It was my first time, and as much as I didn't particularly enjoy the rain and the mud, I got used to it and it really didn't bother me that much. Although it did pretty much double all journey times, which was a bit of an issue considering it takes at least 40-50 minutes to walk from one side of the site to the other WITHOUT mud. Netherless, I think the size of the festival is part of its beauty. The only other festival I've properly been to is Reading, and that seems so tiny and restricted in comparison.
There's so much freedom and so much variety on offer at Glasto that it's pretty impossible to get bored, something I found a problem at Reading. If there's no band on you want to see, you can take a visit to Greenfields and be healed, get a salsa lesson or go watch a show in the Theatre Field, to name but a few. I know it's been said a gazillion times, but some of the best things at Glastonbury are found by chance. On the Thursday, we were on our way to Shangri-La, and we stumbled across a World Record Attempt for the biggest Twister game at one time. We stumbled across the Salsa lesson by chance as well as a few comedy shows in the Cabaret tent. It really is better to just plan a few things you want to see, rather than plan every detail.
The stand-out act for me is a bit of an obvious choice- Beyonce. We managed to get a spot about 3/4 rows from the front, and there's not much else I can say about from...she was INCREDIBLE! I knew she would be good, but I wasn't sure how she would interact with the crowd, or how the crowd would respond. But it just seemed to work really well, and as much as people will say "she's not the type of act to headline Glasto" etc etc, I think she's exactly what the festival needed.
My other highlights included Coldplay, The Midnight Beast, who are ridiculously full of energy and very fun to watch, Laura Marling, who was wonderfully modest with a beautiful voice, perfect for a Sunday afternoon, and Mumford and Sons, who managed to keep the crowd in great spirits despite the weather pissing it down. I'm also glad I took the chance of seeing Pulp. Although I'm not a massive fan, they really entertained me, and I'd definitely recommend seeing them.
There are a few others that I really enjoyed, and some acts that I'm gutted to have missed, but with Glastonbury, it's impossible to see everything! There were also some people who I was disappointed by, such as Plan B. Yes he was really good, but it felt a bit flat, and I wasn't as excited about his performance as I expected to be. The same for Patrick Wolf, although unfortunately this was down to the fact that his microphone seemed dodgy and I couldn't really hear what he was singing. I think I would have enjoyed it more if it had all been working properly.
So that's my flash review of Glastonbury. I could write a lot more, but I don't want to bore anyone! Quick tip: never ever buy a 2-man pop-up tent for 2 people if you like personal space and keeping completely dry. Despite that, Glastonbury is a festival that I'd always recommend. See you in 2013!
Tuesday, 21 June 2011
GLASTONBURY
Today I am VERY excited as I'm off to Glastonbury tomorrow!! It's my first ever one, so I'm a little nervous, but I'm sooo excited! I'll be sure to bring back plenty of reviews and photos, no doubt about that!
If you're going as well, enjoy it!! And if you're not, I'll try not to bang on too much about it...
If you're going as well, enjoy it!! And if you're not, I'll try not to bang on too much about it...
Sunday, 19 June 2011
Summer Anthems
We're doing a 'Summer Anthems' feature in the next issue of Spark*, so I thought I'd share mine:
My summer anthem of all time is Oasis- Wonderwall. An obvious crowd favourite, and will always remind of me when I saw them in Summer 2009, with the whole crowd belting this song out. Also, although I wasn't there, Jay-Z nailed it when he sung it at Glastonbury. Tune!
My summer anthem for this year is Foster the People- Pumped up Kicks. Ever since Greg James played it on the Radio 1, I can't stop listening to it. It's got a huge chilled out and summery feel to it, and never fails to put me in a good mood.
My summer anthem of all time is Oasis- Wonderwall. An obvious crowd favourite, and will always remind of me when I saw them in Summer 2009, with the whole crowd belting this song out. Also, although I wasn't there, Jay-Z nailed it when he sung it at Glastonbury. Tune!
My summer anthem for this year is Foster the People- Pumped up Kicks. Ever since Greg James played it on the Radio 1, I can't stop listening to it. It's got a huge chilled out and summery feel to it, and never fails to put me in a good mood.
Patrick Wolf- Lupercalia
I got the opportunity to listen to and review Patrick Wolf's latest album, and it is lovely!
Despite being unfortunately underrated, Patrick Wolf has long been known for his romanticism, use of a variety of instruments and ability to produce a pretty flawless pop song. From the happy-go-lucky The Magic Position to the more experimental Accident and Emergency, Wolf never disappoints, progressing album by album.
Lupercalia opens with the 80s-esque This City. With ever-popular sax in tow, Wolf continues on the romanticism path, promising that he “won’t let this city destroy our love.” Love and sweeping orchestration, be it brass or string, provide the main features of the album, from This City, to “House,” through to the calm The Future echoing Wolf’s positive attitude towards love. Reluctant to be labelled ‘flamboyant,’ perhaps Wolf’s fifth full-length album will change this.
Although Bermondsey Street offers a more chilled-out vibe, his progression is still evident, feeling more atmospheric and grander than previous songs, whilst still maintaining the upbeat feeling that we’ve come to know and love. It’s this optimism that enhances Wolf’s work, aiding listeners through tough times and providing a soundtrack to the good times.
Despite being unfortunately underrated, Patrick Wolf has long been known for his romanticism, use of a variety of instruments and ability to produce a pretty flawless pop song. From the happy-go-lucky The Magic Position to the more experimental Accident and Emergency, Wolf never disappoints, progressing album by album.
Lupercalia opens with the 80s-esque This City. With ever-popular sax in tow, Wolf continues on the romanticism path, promising that he “won’t let this city destroy our love.” Love and sweeping orchestration, be it brass or string, provide the main features of the album, from This City, to “House,” through to the calm The Future echoing Wolf’s positive attitude towards love. Reluctant to be labelled ‘flamboyant,’ perhaps Wolf’s fifth full-length album will change this.
Although Bermondsey Street offers a more chilled-out vibe, his progression is still evident, feeling more atmospheric and grander than previous songs, whilst still maintaining the upbeat feeling that we’ve come to know and love. It’s this optimism that enhances Wolf’s work, aiding listeners through tough times and providing a soundtrack to the good times.
After the interlude of William, a return to the ideas of The Magic Position, which itself was fond off a short-track interlude, the album hits single Time of my Life. Strings abound, it’s an anthem not just for lovers, but for those going through hardship, with a chorus hook of “hold on, won’t be long.” Cementing the idea that Wolf’s work can help those in need of a boost, it’s at this halfway point in the album where things really seem to come together, as you can see that Wolf really has made an album that defines where he is at the moment. Wolf has made a complete piece of work.
On the otherside of the waltzing The Days, the divinely relaxing Slow Motion, a track that you can sink into and listen to for hours, and a second 80s-influenced, ‘dance-y,’ track Together, the album reaches its closer The Falcon. Ending on a high, positively shines through, with lyrics like “things are looking up for you, looking up for me, looking up for us,” perfectly summing up the album that Patrick Wolf has so skilfully created.
On the otherside of the waltzing The Days, the divinely relaxing Slow Motion, a track that you can sink into and listen to for hours, and a second 80s-influenced, ‘dance-y,’ track Together, the album reaches its closer The Falcon. Ending on a high, positively shines through, with lyrics like “things are looking up for you, looking up for me, looking up for us,” perfectly summing up the album that Patrick Wolf has so skilfully created.
Lupercalia is just another success to add to Wolf’s impressive back catalogue. If this doesn’t secure Wolf’s place as a near-perfect writer of pop songs, that I don’t know what will.
4/5
4/5
Wednesday, 15 June 2011
Young the Giant- My Body
My latest review for Spark*. Heard of these guys before, so glad I liked the single.
California quintet ‘Young the Giant’ have fast made a name for themselves, gaining favour from Morrissey and playing with the likes of Incubus and The Futureheads. With a bucket-load of DJs continuing their support for the band, the bar is set high for single My Body.
And it doesn’t disappoint. From the galloping beat to the unrelentless chorus hook of “my body tells me no/but I won’t quit ‘cos I want more,” they haven’t missed a trick. It’s this hook that gives the track an anthemic edge, a lyric for fans to grab onto and be connected by. There’s an energy involved that is so infectious, you won’t be able to stop your toes from tapping (at least), and a sense of contentment in the music that you can’t help but feel spreads from contentment within the band.
My Body combines an irresistible melody with relatable lyrics to create a track that is near perfection. Young the Giant’s success is undoubtedly due to grow from strength to strength.
4/5
California quintet ‘Young the Giant’ have fast made a name for themselves, gaining favour from Morrissey and playing with the likes of Incubus and The Futureheads. With a bucket-load of DJs continuing their support for the band, the bar is set high for single My Body.
And it doesn’t disappoint. From the galloping beat to the unrelentless chorus hook of “my body tells me no/but I won’t quit ‘cos I want more,” they haven’t missed a trick. It’s this hook that gives the track an anthemic edge, a lyric for fans to grab onto and be connected by. There’s an energy involved that is so infectious, you won’t be able to stop your toes from tapping (at least), and a sense of contentment in the music that you can’t help but feel spreads from contentment within the band.
My Body combines an irresistible melody with relatable lyrics to create a track that is near perfection. Young the Giant’s success is undoubtedly due to grow from strength to strength.
4/5
Sunday, 12 June 2011
Tumblr
Through my complete boredom today, I have decided to start a Tumblr. I'm going to try and use it mainly for photos and audio, to make sure this gets used for mainly writing. There's a link on the right if you scroll down (just above Twitter). Take a gander!
Oh, and I have moved the Blog Archive to the bottom of the page. Felt the right hand side was getting a big clogged!
Oh, and I have moved the Blog Archive to the bottom of the page. Felt the right hand side was getting a big clogged!
Thursday, 9 June 2011
Awful Memory
I've been away for a couple of days, hence a lack of updates. Whilst I've been away, I've seen/heard a couple of things that I thought deserved a mention... problem being I can only remember one of them. It's a good one none the less- The Guardian/Observer have made a list of their "Music Power 100." Opinions on the list?
http://www.guardian.co.uk/music/2011/may/26/music-power-100-full-list
http://www.guardian.co.uk/music/2011/may/26/music-power-100-full-list
Monday, 6 June 2011
Simon Taylor-Davis, Klaxons, 2007
Yesterday, I created the photo montage-y thing that's now at the top of this blog. All the photos are my own, and I had a lot of fun looking at what I've taken over the years. I particularly like this one, so I decided to give it it's own post!
Sunday, 5 June 2011
Additions
Just added some links to the side of this blog! There's links to subscribe to feeds from this blog, as well as feeds from other websites that I like reading, and are relevant to this blog. Well worth a read!
Saturday, 4 June 2011
Today's Listening
^I first heard this on Radio 1, and I've been obsessed ever since. Good to see him getting loads of well-deserved airtime. His cover of When You Were Young is beautiful too:
And another one of my favourite Patrick Wolf songs:
Friday, 3 June 2011
Patrick Wolf- House
I have fallen in love with Patrick Wolf!
Despite his impressive back-catalogue of albums and singles, Patrick Wolf remains a unfairly underrated artist still. With an ability to create feel-good, romantic, content moods with his flawless melodies and lyrics, it’s pretty impossible to listen to his music without a huge smile on your face. Wolf is set to impressive with latest single, House.
“I love this house, I love this house, Gives me the greatest peace I’ve ever known.” Patrick Wolf charms listens from the very first lines of House, with his flawless romantic pop lyrics and a melody to fit. Inspired by “long drives through California,” it instantly takes you away to a different place, a happy place, where everything is pretty perfect. What’s not to like? The tranquil sound of violins beautifully compliment Wolf’s soothing vocals, to give a sound that’s hard to resist. A sure-fire soundtrack to summer, relationships, drives… you get the picture.
House is sure to set Wolf on the path to becoming the name of everyone’s lips. Catch him when you can.
Despite his impressive back-catalogue of albums and singles, Patrick Wolf remains a unfairly underrated artist still. With an ability to create feel-good, romantic, content moods with his flawless melodies and lyrics, it’s pretty impossible to listen to his music without a huge smile on your face. Wolf is set to impressive with latest single, House.
“I love this house, I love this house, Gives me the greatest peace I’ve ever known.” Patrick Wolf charms listens from the very first lines of House, with his flawless romantic pop lyrics and a melody to fit. Inspired by “long drives through California,” it instantly takes you away to a different place, a happy place, where everything is pretty perfect. What’s not to like? The tranquil sound of violins beautifully compliment Wolf’s soothing vocals, to give a sound that’s hard to resist. A sure-fire soundtrack to summer, relationships, drives… you get the picture.
House is sure to set Wolf on the path to becoming the name of everyone’s lips. Catch him when you can.
5/5
UPDATE:
Just found the video on YouTube and I really like it :)
UPDATE:
Just found the video on YouTube and I really like it :)
Songs I'm currently obsessed with
I'm also playing these almost to death:
Temple Cloud- One Big Family
Rihanna- California King Bed
Coldplay- Every Teardrop is a Waterfall
Kaiser Chiefs
Kaiser Chiefs released their new album today, but not in a conventional style. Instead, they are letting the fans choosing 10 tracks from 20 to create the album they want. You can even create the artwork! Although this could result in a loss of money for the band, they should be applauded for branching out and doing something different. This way, the fans can really connect with the music, as they can choose exactly what they want to hear. It's good fun too! Mine is here:
Saturday, 28 May 2011
Gil Scott-Heron
Terrible news today about the death of Gil Scott-Heron. He is a legend who will be truly missed. There's a couple of newspaper articles here:
http://www.independent.co.uk/arts-entertainment/music/news/gil-scottheron-songwriter-and-poet-dies-aged-62-2290290.html
http://www.guardian.co.uk/music/2011/may/28/gil-scott-heron-obituary?INTCMP=SRCH
I've also just been linked to this blogpost by the boss/producer of XL Recordings, which pretty much sums up why he will be so missed:
http://richardxl.tumblr.com/
http://www.independent.co.uk/arts-entertainment/music/news/gil-scottheron-songwriter-and-poet-dies-aged-62-2290290.html
http://www.guardian.co.uk/music/2011/may/28/gil-scott-heron-obituary?INTCMP=SRCH
I've also just been linked to this blogpost by the boss/producer of XL Recordings, which pretty much sums up why he will be so missed:
http://richardxl.tumblr.com/
Thursday, 26 May 2011
Digital Rights
Interesting article in the Guardian, giving an overview of how digital licensing rights works at the moment, and how EMI are changing it.
http://www.guardian.co.uk/media/organgrinder/2011/may/24/emi-music-publishing-digital-licenses?CMP=twt_fd
http://www.guardian.co.uk/media/organgrinder/2011/may/24/emi-music-publishing-digital-licenses?CMP=twt_fd
Sunday, 22 May 2011
Independent Festival Guide
Also found this guide from the Independent. Covers EVERY type of festival around.
http://www.independent.co.uk/arts-entertainment/music/features/here-comes-the-summer-your-guide-to-the-best-festivals-of-2011-2286441.html
http://www.independent.co.uk/arts-entertainment/music/features/here-comes-the-summer-your-guide-to-the-best-festivals-of-2011-2286441.html
Guardian Festival Guide
Heard this advertised on the radio, so had a look for myself. Brilliant look at the summer's amazing line-up of festivals.
http://www.guardian.co.uk/music/series/music-festivals-guide
http://www.guardian.co.uk/music/series/music-festivals-guide
Saturday, 21 May 2011
What makes good Journalism?
Interesting conference coming up in June...
http://www.guardian.co.uk/media/greenslade/2011/may/20/journalism-education-wikileaks?INTCMP=SRCH
http://www.guardian.co.uk/media/greenslade/2011/may/20/journalism-education-wikileaks?INTCMP=SRCH
Friday, 20 May 2011
The Wombats
Review of The Wombats new offering. Veerrrrry good!
Liverpudlian 3-piece The Wombats first infected our radios in 2007 with the release of their debut album The Wombats Proudly Present: A Guide to Love, Loss & Desperation. Spawning numerous radio and indie-dancefloor hits, such as Kill the Director, Backfire at the Disco, and the highly infectious Let’s Dance to Joy Division, they inevitably set themselves up for success. Having proved their worth, they had the honour of opening the opening ceremony of Liverpool, European Capital of Culture. Now they’re back, with The Wombats Proudly Present: This Modern Glitch. With initial releases having been met with huge satisfaction for fans, the album is set to be triumphant.
Album opener Our Perfect Disease shows a darker side to the band, yet still embraces the upbeat pop sound fans love. High energy, shamelessly sing-a-long ‘ooh-s’ and hugely relatable lyrics- “we all need someone to drive us mad” make this a great album starter. The album moves seamlessly into single Tokyo (Vampires and Wolves). A perfect contemporary pop nugget, it holds lyrics about more mature subjects, whilst keeping the same level of humour and, perhaps fantasy, that makes them popular. Jump into the Fog, shows their move towards a slightly more ‘electronic’ sound, whilst Anti-D combines strings with their perfectly crafted melody to create an anthem for fans. It shows off their musical talents brilliantly, both in composing and performing, along with their progress in writing lyrics. Anti-D holds a level of emotional maturity that was perhaps not so present in the first album, with a chorus hook of “Please allow me, to be your anti-depressant.”
Latest single ‘Techno Fan’ begins surprisingly calm, building into an upbeat offering. A sure-fire indie dancefloor sensation, it doesn’t come without the choral vocals we’ve come to love. Highly infectious, it filters smoothly into ‘1996.’ Another more techno-based track, it highlights their want for experimentation. An anthem for those who miss the good-old days, it mourns the change in society, and in relationships, with seminal lyrics “we kiss with one eye on our TV set.” An ending that would surely unite fans in many-a-gig, we move through the personal ‘Walking Disasters,’ more of a return to their old sound, with the hook “You and I are just walking disasters,” into Girls/Fast Cars. A track that shows no remorse, it sets-up us up for album closer Schumacher the Champagne. An ode to washing away troubles with alcohol, it’s laden with guitars, drums and even a banjo, alongside layered vocals. A perfectly busy end to a brilliant album.
It’s infectious, uplifting and enjoyable, to say the least. The Wombats have succeeded yet again in creating an album that shows everyone why they are so loved as a band. Definitely worth spending your money on.
4/5
Liverpudlian 3-piece The Wombats first infected our radios in 2007 with the release of their debut album The Wombats Proudly Present: A Guide to Love, Loss & Desperation. Spawning numerous radio and indie-dancefloor hits, such as Kill the Director, Backfire at the Disco, and the highly infectious Let’s Dance to Joy Division, they inevitably set themselves up for success. Having proved their worth, they had the honour of opening the opening ceremony of Liverpool, European Capital of Culture. Now they’re back, with The Wombats Proudly Present: This Modern Glitch. With initial releases having been met with huge satisfaction for fans, the album is set to be triumphant.
Album opener Our Perfect Disease shows a darker side to the band, yet still embraces the upbeat pop sound fans love. High energy, shamelessly sing-a-long ‘ooh-s’ and hugely relatable lyrics- “we all need someone to drive us mad” make this a great album starter. The album moves seamlessly into single Tokyo (Vampires and Wolves). A perfect contemporary pop nugget, it holds lyrics about more mature subjects, whilst keeping the same level of humour and, perhaps fantasy, that makes them popular. Jump into the Fog, shows their move towards a slightly more ‘electronic’ sound, whilst Anti-D combines strings with their perfectly crafted melody to create an anthem for fans. It shows off their musical talents brilliantly, both in composing and performing, along with their progress in writing lyrics. Anti-D holds a level of emotional maturity that was perhaps not so present in the first album, with a chorus hook of “Please allow me, to be your anti-depressant.”
Latest single ‘Techno Fan’ begins surprisingly calm, building into an upbeat offering. A sure-fire indie dancefloor sensation, it doesn’t come without the choral vocals we’ve come to love. Highly infectious, it filters smoothly into ‘1996.’ Another more techno-based track, it highlights their want for experimentation. An anthem for those who miss the good-old days, it mourns the change in society, and in relationships, with seminal lyrics “we kiss with one eye on our TV set.” An ending that would surely unite fans in many-a-gig, we move through the personal ‘Walking Disasters,’ more of a return to their old sound, with the hook “You and I are just walking disasters,” into Girls/Fast Cars. A track that shows no remorse, it sets-up us up for album closer Schumacher the Champagne. An ode to washing away troubles with alcohol, it’s laden with guitars, drums and even a banjo, alongside layered vocals. A perfectly busy end to a brilliant album.
It’s infectious, uplifting and enjoyable, to say the least. The Wombats have succeeded yet again in creating an album that shows everyone why they are so loved as a band. Definitely worth spending your money on.
4/5
Thursday, 19 May 2011
Japanese Voyeurs- Get Hole
Latest review for Spark*. An alright single, but I preferred the instrumental!
Five-piece Japanese Voyeurs describe their music as “heavy” but with “a sense of melody,” a combination which has earnt them the chance to work with Canadian producer Garth Richardson (famous for his work with Rage Against the Machine amongst others).
Get Hole confirms their sense of melody, with one that (cliché alert) will hit deep into your core. It brilliantly combines being heart-pounding, heavy and catchy, not conforming to what anyone wants it to be. However, whilst the melody hits all the right spots, particularly at the end, where it is really put in the limelight, what perhaps lets this track down is the vocals.
This is not to say that lead singer Romily Alice is a bad singer in any way. What’s disappointing is that the vocals get lost in the music at points, making them seem somewhat strained. Perhaps this is a vocal style that only appeals to certain music, but it doesn’t seem to be completely right for this track.
Overall, not a bad track. Yes, the vocals could possibly be altered, but the melody is spot on. Worth a listen.
3/5
Wednesday, 18 May 2011
Lady Gaga
Metro.co.uk are streaming Lady Gaga's album before its release. Love it!
http://www.metro.co.uk/microsites/lady-gaga-born-this-way-album-stream-uk-exclusive/
http://www.metro.co.uk/microsites/lady-gaga-born-this-way-album-stream-uk-exclusive/
Songwriters in The Guardian
This has been discussed alot on twitter today, so I thought I'd read it myself. The Guardian has written a really interesting article on songwriting today, well worth a read.
http://www.guardian.co.uk/music/2011/may/17/professional-songwriters-ivor-novello?INTCMP=SRCH
http://www.guardian.co.uk/music/2011/may/17/professional-songwriters-ivor-novello?INTCMP=SRCH
Tuesday, 17 May 2011
Steve Lamacq on Dermot O'Leary
My Sister sent me this to listen to today. It's Steve Lamacq talking to Dermot O'Leary on Radio 2 (Saturday) about Creation Records (Upside Down: The Creation Records Story DVD), music journalism and the like. Well worth a listen.
Starts about 1hr10 in. Enjoy!
http://www.bbc.co.uk/iplayer/episode/b0112ykp/Dermot_OLeary_14_05_2011/
Starts about 1hr10 in. Enjoy!
http://www.bbc.co.uk/iplayer/episode/b0112ykp/Dermot_OLeary_14_05_2011/
Tuesday, 10 May 2011
Toy Horses- 'Toy Horses'
Good family-orientated bands are hard to come by these days, with The Jackson 5 remaining perhaps the most famous. Luckily, Welsh step-father/step-son duo are set to change this, presenting their debut self-titled album. Having already been picked up by various radio stations, not only here but also abroad, 2011 is set to be a successful year for them.
The album opens with ‘Play What You Want,’ an upbeat start that brilliantly highlights the duo’s harmonising abilities, whilst showing both vocal skills in their own right. The lyrics are well-written, with hooks of ‘I’ll play what you want, I won’t play at all’ and ‘you don’t care about us,’ mixed with a “la la la” sing-along section. Debut single ‘And It Was You’ follows, with a piano-focus melody, and an arrangement with more instrumental sections. This time, we get to hear their talents as multi-instrumentalists, and it’s worth it. It may be fairly simple, but that’s all these tracks need.
The album takes a slower turn with ‘Last Chance,’ an acoustic offering showing a softer side to the duo. Later in the album, with ‘Love at an Arm’s Length,’ we get the treat of another laidback track, this time mix with particularly heartfelt, poetic lyrics. ‘Loyal to the Cause’ bounces them back into faster melodies, with the direct lyrics “you’re loyal to the cause but the cause is bound to fail” set to a more instrument heavy melody. This track in particular shows how just two people can make great music which sounds distinctly like a band is playing.
The album finishes with ‘Interrupt,’ weaving laidback section, some laden with strings, with more intense ones, to create a track that keeps you guessing. Their lyrics yell of personal experience, just like “I’m waiting for you to interrupt.”
Perhaps not to everyone’s tastes, but an all-round beautifully simple debut album. Toy Horses have set themselves up for a cracking 2011.
3.5/5
The King Blues- 'Set the World on Fire'
London-based punk rock/ska band ‘The King Blues’ have been making music since around 2004, albeit with a variety of line-ups. Said to have “a commitment to politics and resistance,” the band have a heavy focus on politics in a number of tracks, with their music also being described as “radical.” ‘Set the World on Fire’ is the latest released from third album ‘Punk & Poetry.’
High energy from the start, The King Blues clear politic influence immediately shines through, as their lyrics talk of “newspapers” and “asylum seekers”. The hook of “fire, fire, I wanna set the world on fire” shiftly follows, giving something for crowds to hang on for many gigs to come. This is not forgetting the melody, which is heavy and memorable in its own right, with the ability to promote both dancing and moshpits together. It’s both simplistic yet complex, combining the best of both worlds to create music that unites a whole audience (along with the relatable lyrics of course).
Not a band to be missed. Catch them while you can.
4/5
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