Since releasing debut single Lovers Ought To in 2008, The Kabeedies have continuously grown, from having Come On picked for the Xbox Kinect advert, to inciting near riots during their shows at Latitude and Hamburg’s Dockville Festivals. Not bad for an up-and-coming band. Second album Soap fails to disappoint, breaking the mould of ‘that difficult second album.’
Right from the start, their influences shine through their music, with hints of Blondie and the folk elements of Bombay Bicycle Club, particularly in The Boy with the Bad Mouth standing out. There’s arguably essences of The Drums hidden in album opener Hang-Ups of the West, with guitars echoing the sense of a summer in California. This isn’t to say The Kabeedies are in any way a copy of these bands. Not afraid to experiment with sound, from the brass present on Santiago bringing a carnival feel, to what appears to be an accordion on The Boy with the Bad Mouth, the band needn’t be afraid of being branded unoriginal. Added to that, it’s been a while since a great new band came on the scene with a female vocalist, but Katie Allard completely changes this, bringing with her stunning vocals that fit like a puzzle to every element of the band.
The Kabeedies are not just a band on one note though. Drowning Doll is filled to the brim with energy and fast-paced guitars, mixing vocals from Katie along with Rory (bass) and Evan (guitar) to bring another dynamic to the album. Another turn is then taken for album closer LT, bringing a calm, sophisticated and somewhat reflective to what is seemingly the end. Listen long enough though, and you’ll get a surprise in the form of a proper goodbye mini-song, somply formed of harmonies, claps and drums.
In the freezing temperatures of February, this album will keep you warm, bringing the summer into your bedroom.
4/5
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